At around $450, it’s a no-brainer in our book. Compared to other f/1.4 prime lenses like the Sigma 50mm Art, the Nikon is cheaper and lighter at less than 10 ounces.
And the 50mm f/1.4G happens to be one of Nikon’s top prime lenses: it’s sharp, performs extremely well in low light, has fast and accurate autofocus in most circumstances, and impressive bokeh. What we don’t: Some barrel distortion, although it’s certainly not a deal breaker.įor just about any type of photography or camera, a quality 50mm lens makes a whole lot of sense. What we like: Excellent low light performance and creamy bokeh. We think both are excellent lenses and the choice probably should come down to whether or not you want VR. Some people, however, have argued that there was a slight drop in center sharpness on the E, not to mention it’s heavier and more expensive by about $600. The newer “E” version was released in 2015, including all-important vibration reduction and improved sharpness around the edges.
The older “G” version of this lens (described below) originally was released in 2007 and is known for being tack sharp, particularly in the center of the image. For everything from travel photography to portraits, the 24-70mm f/2.8 can replace a handful of specialty prime lenses without much of a drop-off in image quality.įor background, there has been much discussion over which Nikon 24-70mm f/2.8 version is best.
We also like the sturdy metal build, which adds weight to the lens but makes you feel like you will own it for many years to come (provided you take good care of it, of course). It’s extremely sharp across its zoom range, focuses quickly and accurately, and has minimal distortion. What we don’t: Some people think the "E" is slightly less sharp at the center than the older “G” version.įor a super versatile FX lens that produces professional-grade images, the 24-70mm f/2.8E is one of the most popular options in Nikon’s full-frame lineup. What we like: Adds vibration reduction to an already exceptional lens. For more background, see our lens comparison table and buying advice below the picks. That means you’ll find some nice budget lenses on this list like the 50mm f/1.8 and telephoto 70-300mm f/4.5-5.6 that make full-frame photography much more accessible. Below are 10 of the best FX lens models from wide angle and portrait to telephoto, along with 7 more that just missed the cut. We’ve included both zoom and prime lenses, and instead of picking only the most expensive pro-level options, we’ve taken value into consideration as well.
35mm frame lens professional#
This is a perfect lens to be used for professional and amateurs photography and cinematography.Nikon’s full-frame camera lineup is impressive, but perhaps even more so is the extensive collection of FX-format (full frame) lenses. The attached petal-shaped lens hood protects the lens from unnecessary lights. Samyang features a compact frame since it is made of high-strength aluminum so the images can be captured even under lower environment.
35mm frame lens full#
The 8 aperture blades are designed to be almost as a full circle when the aperture is closed which expresses starlike ray clearly and beautifully. It adapts floating lens system to find the minimum focus distance.
Ultra Multi Coating (UMC) technology increase the light entrance to minimise flare and ghost. Glass aspherical lens (ASP) minimises color aberration to realise exceptional image quality and high contrast for center and corner of image even when aperture is fully opened. This cine lens has an outstanding optical function and features 12 lenses in 10 groups including 2 high refractive index lenses (HR) to compactify the size of lens and increase the sharpness.
35mm frame lens manual#
The lens operates in manual aperture system with low T number which enables natural shooting under various light exposure circumstances. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film much precisely. You may change the aperture quietly and smoothly with the uncoupled aperture gear ring. Samyang 35mm T1.5 VDSLR AS UMC II is carefully designed for professional film and video works so the focus gear ring is installed for follow focus system. Samyang Optics 35mm T1.5 VDSLR AS UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes. Description Wide Angle Manual Focus Cine Lens
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